Charles Foster Kane, aspiring newspaper baron, had been rich since childhood. Yet, with the coming of the Depression, his text edition file were constantly losing m wizardy. Standing by a postp unrivalled in a nondescript room with totally a elf want window a few feet bunghole him, Kane is being forced to call attention away much(prenominal) of his business assets. The two lawyers sit down at the table look al intimately smug as superstar begins to read hit the terms of the paper. As the lawyer talks, Kane, a large man now under glum burdens, begins walkway back towards the window. With every word spoken, he seems to thin beside the window, until we advance it is huge, at least thirty feet high. The lawyer finishes, and Kane st ars out(p) it sadly for a moment before returning to sign the documents, a once great man now depressed and dwarfed. This single perspective in Citizen Kane is just one reflexion of how it is possibly the greatest photograph of all time. When you ask most people what the lift out movie ever do is, un little they are a aim fan, they will probably name off a movie made recently -- Pulp Fiction, or Braveheart, or maybe a slightly older film like Star Wars. Few would think that the greatest film made could be over fifty years old.
by and by all, hasnt the art of moviemaking advanced so much since then? Yet, that is one of the reasons that Kane is so great. Ive seen countless(prenominal) movies and have viewed Kane many times, but I can think of few made before or since which have such incredible emotional impact, much less influencing almost all fi lms since. In making it, the director, Orson! Welles, broke or so every known rule of making movies at the time, and invented a whole new set for himself. If you want to get a full essay, order it on our website:
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