Powerful Parallels and Deep Divides: Pluralism in The Poem of the Cid a

twain The numbers of the Cid and The tune of Roland were create verbally in a time period where great new developments were occurring in Europe, but none more crucial than the rise of the Crusades and the ethnocentric viewpoint they propagated and were propagated by (Quinn). Of great interest is the manner in which both industrial plant deal with the nature of pluralism in European history. For the sake of this essay, pluralism will be defined simply as a state of more than one. Both works, written at approximately the same time (1130-1170 for The Song of Roland and aproximately 1207 for The metrical composition of the Cid, as per the books forewords) have powerful parallels and stark contrasts, which when put in place setting are incredibly revealing of their respective authors/cultures attitudes about economic, cultural, and religious pluralism.An a great deal overlooked place to begin evaluating these stories lies in their depictions of economic systems. The Song of Rolan d depicts a system that is primarily based on the giving of tribute, namely exotic gifts and treasure clearly shown when Blancandrin counsels Marsilla to achieve peace with Charlemagne by promising him bears and lions and dogs, 700 blow camels and a thousand moulted hawks (Burgess, page 30). However, it is important to note that the concept of give with money is not entirely absent from the novel, you will have full gold bezants to pay your mercenaries well (Burgess, page 33). Thus, one realizes that in The Song of Roland that dickens economic systems exist. The dominant system is the giving of gifts in the habitus of tribute to ones betters or equals like Marsile to Charlemagne, and then the less important/ super C payment of money to ones inferiors a la Charlemagne to his mercenaries. We can fin... ...hat were occurring there, namely the Crusades. However, problematic nuances and seemingly minor differences between the two works reveal two very different cultures, a deeply orientalist and unforgiving Frankish linear perspective represented by The Song of Roland that stands in stark contrast The Poem of the Cid and its diverse and relatively accepting Spanish ideal of convivencia that embraced pluralism in its umteen forms. BibliographyBurgess, Glyn S.The Song of Roland. London, England Penguin, 1990. Print. Hamilton, Rita, Janet H. Perry, and Ian Michael.The Poem of the Cid. Harmondsworth Penguin, 1984. Print. Quinn, William. The Crusades 1&2. 8 and 13 March 2012. Lecture. Quinn, William. Cantar del mio Cid Campeador. 3 April 2012. LectureKahf, Medieval Spain, Competing Narratives. 27 March 2012. Lecture